Clematis, part of the reflective series by Cori Lee Marvin |
Last month, Barb's Tea Service headed north for a great Canadian adventure. While visiting family in Kingston, we took a day trip to Perth where we discovered RiverGuild Fine Crafts, one of Canada's oldest Artist Collectives. Here, we came upon the work of Cori Lee Marvin and became instant fans of her watercolor paintings featuring teapots, teacups, birds, frogs, flowers and a happy hodgepodge of colorful antiques. We purchased several of her art cards and went searching for more on her website; marvindale.ca. There we found so much more to love and add to our collection.
We reached out to Cori Lee Marvin to learn more. She graciously agreed to an interview and her story is as endearing and captivating as her art. We thank Cori for her time in sharing her artist's journey as well as the beautiful images (Copyright @ 2023 Cori Lee Marvin) to accompany our blog post.
BTS interview with artist, Cori Lee Martin:
- I
see from your website that you have been a professional artist for twenty
years. What took you on this path? What drew you to watercolors?
After university, I spent a lot of time roaming
across Canada, working in bookstores from here to there. I’ve never been one to
follow the predictable path and it became pretty clear to me in my twenties,
that I’d be a much happier soul working for myself. So, I made the decision to
pursue the skills I had as an artist. I was privileged enough to have the
support of my family as I hunkered down to build a portfolio. It’s funny,
looking back. I never really doubted that I could eke out a living that way. In
retrospect, I guess I’m pretty lucky.
- The
subject of much of your artwork is a mix of animals and antiques. How did
these themes come about?
Yes, part of the privilege of my early years was
that I took up residence with my 90 year-old grandma in the family farm house.
It sits upon a hundred acres of naturally diverse land here in Northumberland
County. So, the pairings of antiques and animals were quite natural. As a
former student of writing and literature, I was taught the idea that, for the
best stories, you ‘write what you know’. So, I took my surroundings and began
storytelling through pencil and paint.
Finch in a Cup |
- You
noted the tea paintings are close to your heart. Is there a special
connection you have to tea time and teacups/teapots? Do any of those tea
accoutrements belong to you?
Some things just click. I remember the moment
when tea accoutrements lit up my mind with ideas. I was so excited. For me, it
was the perfect marriage of beauty, and nostalgia. As a painter, the knowledge
that an object has a history, a tradition, is huge. It brings things to life.
And the fact that my grandma still had all of these well-worn teacups, pots,
sugar bowls… It was magic. All of the artifacts in my work are things that
share space with me in this doddering, old house. We have a connection.
Music Lessons |
- The
captions to your artwork are clever, descriptive and many are funny (e.g.
"Music Lessons", "Toad Stool" - even the owner of the
Perth studio said he enjoys how you title your work!). Do you
caption the artwork after completion or is the idea for the caption what
inspires the picture?
As I mentioned, I have a background in
literature and bookselling. I’ve always been a ‘word bird’. I’m also married to
a fella with a Masters degree in Comparative Literature. It’s part of our
fabric to use words this way, to play with language. The titles of my work are
really important sometimes. Often, the titles will live in my head for years
before the right time comes to make the painting. So, yes, sometimes the title
comes first, before the concept. Other times the painting steeps for a while
before the right title floats past. Occasionally, there are paintings where
cleverness or word play doesn’t work and the image must simply be labelled.
Home Grown |
- Your
reflective series is beautiful and there's a story within the
story/picture within a picture (reflection of the room on the central
object). Will you have more in this series?
The reflective series takes place, almost
exclusively, in our country kitchen. It has always fascinated me that a single
room can present so differently in these reflections, depending on the shape of
the object, its position, angle and time of day or weather outside. I’ll likely
be doing more in this series as I find the process calms me and hones my skills
simultaneously. These days, time is always the issue as I have little kids and
a rambunctious dog in the mix.
Singers |
- Currently,
your artwork is available on your website and various retail stores and
art shows in Canada. Any plans to expand?
The idea of expansion doesn’t come up very
often. Part of my world-view is keeping our footprint small and cultivating an
appreciation of what we have, without the perpetual grasping that fuels so much
of our world. But practically speaking, I simply don’t have the time for
further growth and the business is almost at capacity as it stands. With the
help of my parents, who live next door, my husband and I work together to make
it all happen. We also home-school our kids! We are busy and we are happy.
I'm a Little Teapot |
- You
live on 100 acres with your family. This is your home and home of your
studio as well? Do you farm/garden there, too? Are the animals in your art
visitors/residents of your place?
Our kids are the 8th generation of my
family to live on this land. We grow and preserve as much of our own food as we
can. It’s a constant battle though, as any gardener knows, against weather, and
pests. The amount of work that goes into a small crop of food? It’s quite
astonishing. We can’t call ourselves farmers but parts of the land (the few
parts that are flat) are still rented to neighboring farmers for crops. Our
land is a fantastic combination of hills, valleys, streams and forests, none of
which makes for easy farming. My ancestors did the best they could, with
orchards and market gardens and livestock. Nowadays, my dad and mom have spent
their retirement reforesting and naturalizing the 100 acres. It’s an amazing
place for kids to grow up and the source of all my inspiration. All of the critters
in my work are either residents here or are plucked from encounters I’ve had
nearby or at the Toronto zoo.
- Anything
else you'd like to add that I didn't cover in my questions.
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We again wish to thank Cori for sharing her story and incredible art. We know what to add to this year's wish list. For more happy shopping and browsing, visit Cori's website, marvindale.ca